Louise Brooks "Looking for Lulu" (1/6)
This documentary about tight-lipped film legend Louise Brooks is narrated by Shirley MacLaine, and was produced by Hugh Hefner for Turner Undying Movies ...
This documentary about tight-lipped film legend Louise Brooks is narrated by Shirley MacLaine, and was produced by Hugh Hefner for Turner Undying Movies ...
LULU is too hot to cope with! Watch how these men respond... Dedicated to LOUISE BROOKS 1906 - 1985 ... Pandora's Box Lulu Louise Brooks the ...
If I had the power to socialize back in time, I would use it to try to sleep with Louise Brooks. Of course I'd eventually get to the stopping ...
Untroubled film star Louise Brooks is featured in the color tinted artwork of David B. Pearson.
Here's a a handful of of scenes spliced together from 1931's "God's Capacity to Women," which Louise Brooks had a small part in. That ...

Her image is at tetaris.com/hpgen/HPB/entries/6 . What do they say about Louise Brooks (who's famous for her hairstyle)? The Louise Brooks Society would like to know!
http://tetaris.com/hpgen/HPB/entries/6.h tml
It doesn't talk about any direct relationship between Tetaris goods and Louise Brooks there.
The series of Japanese haircare history No2 is about new era about Japanese women around end-Taisho/early-Showa about 80 years ago from now.
「modern」 hair style became to be quite popular day by day among fashionable Japanese (high-)society along with lots of oppression/opposition since the Meiji Restoration in Japan began.
Some trendy women had tried to accept different culture as they wore Western dress with Western hair style instead of traditional Japanese dress with Japanese hair style.
On that fashion, Louise Brooks was good example because she was one of famous Hollywood movie star. Many Hollywood movies were on screen in Japan those days according to the column.
The new fashion was especially accepted to women who particularly had certain outside job from house such as typist, department store's clerk, bus guard, hostess, journalistic reporter etc. They had some new sense of values and tried to liberate themselves from the old conservative way of life.
The column just says that it seemed for those women, Louise was one of representative symbols as business women.
Whenever someone generalizes about how "mannered" and artificial silent-movie acting was, I think, well, perhaps you haven't seen Janet Gaynor, for example, in F.W. Murnau's "Sunrise" or Frank Borzage's "7th Heaven." It's the most effortless, graceful, truthful acting imaginable.
Outside Louise Brooks, anyway. Brooks in G.W. Pabst's 1928 landmark, "Pandora's Box," which opens the Bank of America Cinema's winter season? (Full schedule for the Portage Park establishment here.) She compares to no one, really. She is her own island of allure.
Born in 1906 in Cherryvale, Kansas, Brooks had a career not unlike many others for a while, dancing in "Ziegfeld Follies of 1925" and "George White's Scandals" on Broadway, working her way up in film, eventually catching the eye of Austrian-born Pabst thanks to her turn in Howard Hawks' "A Girl in Every Port." Here, Pabst thought, is the Lulu for me, and for the world.
The History of Love, Bel Canto, 9 Stories by J.D. Salinger, Mr. Bedord and the Muses, Sister Carrie, Tick-Tock, The Season, The Hours, An American Tragedy, Living Well is the Best Revenge, Our Lady of the Lost and Found, 84 Charring Cross Road, Act One, Dancing with the Devil, Familiar Spirits, Love in the Time of Cholera, The Pursuit of Love, Midnight in the Garden of Good and Evil Babette's Feast, Sullivan's Travels, Dodsworth, All About my Mother, All About Eve, Ma Vie en Rose, A Star is Born (1954), 84 Charring Cross Road, Breakfast at Tiffany's, Brief Encounter, The Hours, Auntie Mame, Infamous, Hollywoodland, Fur, Vertigo, Rear Window, Portrait of Jennie, The Model and the Marriage Broker, Random, Harvest, The Mating Season, Radio Days, Another Woman, The Bycicle Thief, Umberto D, Blade Runner, The Devil Wears Prada, Mr. Hulot's Holiday, Mon Oncle, The Triplets of Belleville, Stevie, My Foolish Heart, The Tender Trap, The Umbrellas of Cherbourg, The Awful Truth, Amarcord, I, Vitelloni, Variety Lights, The Roman Spring of Mrs. Stone (1961), Dinner at Eight, Beyond the Forest, Mr. Skeffington, The Pirate, Turtle Diary MARY ASTOR - Like so many women of that era (and the era really covered a lot of ground, from the 30s through the 60s) could and did play any part with forthright assurance, style and damned good acting. From the shrewish Brigid O'Shaugnassy in THE MALTESE FALCON to the wordly and serene Edith Cortrigh in DODSWORTH to the Auntie Mame-like society manhunter in THE PALM BEACH STORY to the stark and truly terrifying Roberta Carter in RETURN TO PEYTON PLACE (Oscar nomination,) Astor, like Irene Dunne (soon to appear in these pages) could do it all and, as with Dunn, no matter what the part, a shinning intelligence came through.
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Silent Pandora's Box Screens with Musical Accompaniment Silent Pandora's Box Screens with Musical AccompanimentThe Butterfield Library's popular Silent Film Series with live musical accompaniment continues with Pandora's Box (1928) starring Louise Brooks on Saturday, |
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If I ran the Oscars: Ann Magnuson Future candidates: Kubrick, Tarkovsky, Ozu, Fassbinder, Herzog, Cassavetes, Gena Rowlands, John Cazale, Doris Day, Louise Brooks, Klaus Kinski, Karen Black, |
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Our Miss Brooks Outside Louise Brooks, anyway. Brooks in GW Pabst's 1928 landmark, "Pandora's Box," which opens the Bank of America Cinema's winter season? |
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Secrets of the screen sirens She paints them seated at opposite ends of a couch; Dietrich's hand rests on Garbo's knee, and Pandora's Box star Louise Brooks, in a scarlet dress, |
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New mum Louise is back home for Christmas pud! Louise Brooks, 23, was expecting her son on December 23, but Alfie Leigh Eatwell refused to shift before the festivities began and instead Miss Brooks went |
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